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Poetry --- poëzie --- Broodthaers, Marcel --- Art --- Broodthaers, M. --- Franse letterkunde --- Kunst --- Littérature française --- Installaties (beeldende kunst) --- Interviews --- Beeldhouwkunst ; België --- Marcel Broodthaers 1924-1976 (°Brussel) --- Beeldende kunst ; 1960-1976 ; Marcel Broodthaers ; gesprekken met --- Belgische kunstenaars --- België --- 7.07 --- kunst --- twintigste eeuw --- conceptuele kunst --- surrealisme --- installaties --- Broodthaers Marcel --- kunstenaarsgeschriften --- 7.071 BROODTHAERS --- Marcel Broodthaers --- 7.071(493) --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Belgische kunstenaars vanaf 2e helft 19e eeuw --- Broodthaers, Marcel, --- 790 --- hedendaagse kunst --- kunstenaars --- artistes --- Beeldhouwkunst ; België --- Interviews.
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This exhibition and book are intended to provide an overview of Broodthaers's life and work, and constitute the first opportunity for an American audience to examine in depth the oeuvre of one of Europe's most prominent postwar artists. The catalogue features over 250 illustrations, many in color, of works from all phases of Broodthaers's career, including the first comprehensive photographic documentation of his museum Fictions, and accompanies an internationally circulating exhibition in association with the Palais des Beaux-Arts Brussels.
Broodthaers, Marcel --- Conceptual art --- Art conceptuel --- Exhibitions --- Expositions --- Exhibitions. --- Artiste --- Art contemporain --- 20e siècle --- Marcel Broodthaers 1924-1976 (° Sint-Gillis, Brussel, B.) --- Beeldende kunst ; 1960-1976 ; Marcel Broodthaers --- Marcel Broodthaers 1924-1976 (°Brussel, België) --- Pop-Art --- Beeldende kunst ; 20ste eeuw ; Marcel Broodthaers --- Conceptuele kunst --- Dada --- Minimalisme --- Installaties --- Tentoonstellingscatalogi ; Minneapolis ; Walker Art Center --- Belgische kunstenaars --- 7.07 --- (069) --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- (Musea. Collecties) --- Brodhers, Marsel --- ברוסהרס, מרסל --- Art --- drawings [visual works] --- installations [visual works] --- easel paintings [paintings by form] --- Conceptual --- Broodthaers, Marcel - Exhibitions --- paintings [visual works]
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Marcel Broodthaers ; conception et rédaction Reiner Borgemeister et Maria Gilissen --- Broodthaers, Marcel --- twintigste eeuw --- kunst --- Broodthaers Marcel --- Magritte René --- Foucault Michel --- België --- 7.071 BROODTHAERS
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Broodthaers, Marcel --- Broodthaers, M. --- Catalogues d'expositions --- Fotografie --- Photographie --- Tentoonstellingscatalogi --- Exhibitions. --- Marcel Broodthaers 1924-1976 (°Brussel, België) --- Beeldende kunst ; 1960-1976 ; Marcel Broodthaers --- Pop-Art --- Dada --- Conceptuele kunst --- Minimalisme --- Installaties --- Tentoonstellingscatalogi ; London ; Tate Gallery --- Belgische kunstenaars --- 7.07 --- (069) --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- (Musea. Collecties) --- Broodthaers, Marcel 1924-1976 (°Brussel, België) --- Brodhers, Marsel --- ברוסהרס, מרסל
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Sculpture --- Broodthaers, Marcel --- motion pictures [visual works] --- Film --- art [fine art] --- Art --- anno 1900-1999 --- Belgium --- Motion pictures --- Art and motion pictures --- Cinéma --- Art et cinéma --- Exhibitions. --- Expositions --- Artiste --- 20e siècle --- Marcel Broodthaers 1924-1976 (°Brussel) --- Beeldende kunst ; filmkunst ; 2de h. 20ste eeuw ; Marcel Broodthaers --- Catalogues raisonnés* --- Belgische kunstenaars --- 7.07 --- (069) --- 791.43.07 --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- (Musea. Collecties) --- Filmregisseurs, acteurs, filmografen --- Cinéma --- Art et cinéma --- art [discipline]
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Das komplexe Projekt »Académie Worosis Kiga« des Pariser Künstlers Gérard Gasiorowski macht, wie auch bekannte Werke Marcel Broodthaers', Claes Oldenburgs und Jörg Immendorffs, eine bisher vernachlässigte Strategie künstlerischer Schöpfung um 1968 sichtbar. Unter der Bezeichnung »fiktive Institution« lenkt Theresa Nisters die Aufmerksamkeit auf jene Form künstlerischer Kritik, die sich - zeitgleich zu Strömungen wie »Land Art« oder »Arte Povera« - nicht ostentativ vom Kunstmarkt abwendete. Stattdessen wurden sich vorhandene Organisationsformen und Ordnungssysteme offizieller Institutionen zu eigen gemacht, um herkömmliche Beurteilungs- und Wertmaßstäbe zu unterlaufen.
Institutionenkritik; Gérard Gasiorowski; Marcel Broodthaers; Claes Oldenburg; Jörg Immendorff; Kunstgeschichte des 20. Jahrhunderts; Kunstgeschichte des 21. Jahrhunderts; Curatorial Studies; Kunst; Europäische Kunst; Kunstwissenschaft; Institutional Critique; Art History of the 20th Century; Art History of the 21st Century; Art; European Art; Fine Arts; --- Art History of the 20th Century. --- Art History of the 21st Century. --- Art. --- Claes Oldenburg. --- Curatorial Studies. --- European Art. --- Fine Arts. --- Gérard Gasiorowski. --- Jörg Immendorff. --- Marcel Broodthaers.
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Kunsttheorie ; R. Krauss over Marcel Broodthaers --- Belgische kunstenaars --- 7.07 --- 7.01 --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Kunst ; theorie, filosofie, esthetica --- Avant-garde (Aesthetics) --- Conceptual art --- History --- Broodthaers, Marcel --- Criticism and interpretation. --- Art, Conceptual --- Concept art --- Language art (Fine arts) --- Possible art --- Post-object art --- Art, Modern --- Performance art --- Earthworks (Art) --- Sky art --- Aesthetics --- Modernism (Art) --- Brodhers, Marsel --- ברוסהרס, מרסל
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In 1964, at age forty, Marcel Broodthaers (1924–1976) proclaimed that his years of writing poetry—of being "good for nothing" in his words—were over, and a brief but dazzling artistic career began. Considered a founding father of institutional critique, Broodthaers created hundreds of objects, books, films, photographs and exhibitions, including a "fictive" museum of modern art that evolved from an installation in his own home to a massive exhibition of over three hundred works representing eagles. In The Absence of Work, Rachel Haidu argues that all of Broodthaers's art is defined by its relationship to language. His perception of his poetry's "failure to communicate" led him to explore in his art the noncommunicative, nontransparent uses of words. Haidu's characterization of Broodthaers's contribution to institutional critique represents a major departure from the usual approach to this movement. With The Absence of Work, one of the first monographs on Broodthaers in English, Haidu demystifies a crucial and enigmatic figure in postwar and contemporary art.
Broodthaers, Marcel --- Criticism and interpretation --- Art --- Criticism and interpretation. --- 7.07 --- 7.038 --- 7.01 --- Beeldende kunst ; 20ste eeuw ; Marcel Broodhaers --- Dada ; assemblages ; ready-made --- Belgische kunstenaars --- Kunst en tekst --- Kunsttheorie ; over Marcel broodthaers --- Broodthaers, Marcel 1924-1976 (°Brussel, België) --- kunst --- België --- twintigste eeuw --- Broodthaers Marcel --- pop art --- conceptuele kunst --- concept art --- surrealisme --- installaties --- 7.071 BROODTHAERS --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Kunstgeschiedenis ; 1950 - 2000 --- Kunst ; theorie, filosofie, esthetica --- Conceptual art --- Conceptual art. --- Brodhers, Marsel --- ברוסהרס, מרסל --- Broodthaers, Marcel - Criticism and interpretation
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"On the 100th anniversary of T.S. Eliot's modernist masterpiece, a rich cultural history of The Waste Land's creation, explosive impact, and enduring influence. When T.S. Eliot published The Waste Land in 1922, it put its 34-year-old author on a path to worldwide fame and the Nobel Prize. "But," as Jed Rasula writes, "The Waste Land is not only a poem: it names an event, like a tornado or an earthquake. Its publication was a watershed, marking a before and after. It was a poem that unequivocally declared that the ancient art of poetry had become modern." In What the Thunder Said, Rasula tells the story of how The Waste Land changed poetry forever and how this cultural bombshell served as a harbinger of modernist revolution in all the arts, from abstraction in visual art to atonality in music. From its famous opening, "April is the cruellest month, breeding / Lilacs out of the dead land," to its closing Sanskrit mantra, "Shantih shantih shantih," The Waste Land combined singular imagery, experimental technique, and dense allusions, boldly fulfilling Ezra Pound's injunction to "make it new." What the Thunder Said traces the origins, reception, and enduring influence of the poem, from its roots in Wagnerism and French Symbolism to the way its strangely beguiling music continues to inspire readers. Along the way, we learn about Eliot's storied circle, including Wyndham Lewis, Virginia Woolf, and Bertrand Russell, and about poets like Mina Loy and Marianne Moore, whose innovations have proven as consequential as those of the "men of 1914."Filled with fresh insights and unfamiliar anecdotes, What the Thunder Said recovers the explosive force of the twentieth century's most influential poem"--
Eliot, T. S. --- Waste land (Eliot, T.S.) --- A Season in Hell. --- Aldous Huxley. --- Aphorism. --- Arnaut Daniel. --- Arthur Cravan. --- Arthur Rimbaud. --- Arthur Symons. --- Assonance. --- Blaise Cendrars. --- Caresse Crosby. --- Charles Baudelaire. --- Charles Demuth. --- Charles Olson. --- Charles Reznikoff. --- Conrad Aiken. --- D. H. Lawrence. --- Dada. --- Darius Milhaud. --- De Profundis (letter). --- Demimonde. --- E. M. Forster. --- Erudition. --- Essay. --- Eustace Mullins. --- Existentialism. --- Ezra Pound. --- F. L. Lucas. --- F. S. Flint. --- Floyd Dell. --- Ford Madox Ford. --- Fredric Wertham. --- Gelett Burgess. --- Georg Wilhelm Friedrich Hegel. --- George Antheil. --- Gerontion. --- Gilbert Murray. --- Guillaume Apollinaire. --- Hart Crane. --- Hector Berlioz. --- Henri Bergson. --- Herbert Spencer. --- Hugh Ross Williamson. --- Hugh Selwyn Mauberley. --- Imagism. --- Irving Babbitt. --- James Abbott McNeill Whistler. --- James Huneker. --- Jeremiad. --- John Crowe Ransom. --- John Masefield. --- John Middleton Murry. --- John Peale Bishop. --- Joseph Moncure March. --- Karl Shapiro. --- Kurt Schwitters. --- Kurt Weill. --- Lothario. --- Louis MacNeice. --- Louis Untermeyer. --- Ludwig Tieck. --- Lytton Strachey. --- Malcolm Cowley. --- Manifesto of Futurism. --- Marcel Broodthaers. --- Marcel Duchamp. --- Mario Praz. --- Mythopoeia. --- New Criticism. --- Nian Rebellion. --- Pierre Leroux. --- Poetry. --- Prometheus. --- Randall Jarrell. --- Revolution. --- Revue. --- Richard Aldington. --- Ripostes. --- Robert Bridges. --- Robert Frost. --- Rosicrucianism. --- Rupert Brooke. --- Sherwood Anderson. --- Symbolist Manifesto. --- T. E. Hulme. --- The Birth of Tragedy. --- The Egoist (periodical). --- The Machiavellian Moment. --- Thomas Carlyle. --- Thus Spoke Zarathustra. --- Tristan Tzara. --- V. --- Venusberg (mythology). --- Victor Plarr. --- Vorticism. --- W. B. Yeats. --- W. H. Auden. --- Wallace Stevens. --- Walter Pater. --- William Empson. --- Wyndham Lewis.
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The responsive subject is an exhibition and a publication curated and edited by FormContent-London, initiated by Mu.ZEE-Ostend for Contemporary Art Heritage Flanders (CAHF). Invited by Mu.ZEE to propose an exhibition and a publication based on the Museum's collection, FormContent decided to focus its research on the inheritance left by the Belgian artist Guy Mees (1935-2003) and to present a selection of his oeuvre alongside artworks of João Maria Gusmão & Pedro Paiva, Ian Kiaer and Gyan Panchal. A striking element is Guy Mees' purposely avoidance of any fixed reading on his own practice that could assist us in the navigation through his work. Although his importance has been recognised in Belgium since the early 1970s, the artist's reluctancy to align his aesthetics to an univocal interpretation, has generated a certain mystery around his work. How should we Guy Mees' legacy today? Is it possible and appropriate not to adopt an analytical approach, but rather focus on a synaesthetic attitude towards the works? This reader presents parallel lines between Guy Mees' oeuvre and contributions addressing similar problematics and sensitivities.
7 <493> --- kunst --- twintigste eeuw --- collecties --- verzamelingen --- Mu.ZEE --- Mees Guy --- Gusmao Joao Maria --- Paiva Pedro --- Kiaer Ian --- Panchal Gyan --- eenentwintigste eeuw --- België --- musea --- abstracte kunst --- 7.071 MEES --- Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--België --- Exhibitions --- Rusland --- Sovjet-Unie --- M HKA --- 7.038/039 --- 7 <493> Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--België --- ruimtelijke kunst --- Open-Air Museum of Sculpture Middelheim [Antwerp] --- Middelheim --- kunst en openbare ruimte --- Vleeschouwer Kris --- Verhoeven Gert --- Van Kerckhoven Anne-Mie --- Vranken Leon --- Wuyts Hans --- Bijl Guillaume --- Catrysse Wim --- Vanden Meersch Els --- Tusek Mitja --- Theys Koen --- Pacquée Ria --- Mich Ludo --- Heck Kati --- Fink Christoph --- de Gruyter Jos --- Thys Harald --- 73.038/039 --- 73.038(493) --- Beeldhouwkunst 1950 - 2000 België --- Broodthaers, Marcel --- Grimonprez, Johan --- 778.5.07 --- Videokunst film 1990-2010 Johan Grimonprez --- Grimonprez, Johan °1962 (°Roeselare, België) --- Filminstallaties --- Boeken vormgeving boekdesign Inge Ketelers --- Ketelers, Inge --- Tentoonstellingscatalogi Gent S.M.A.K. Stedelijk Museum voor Actuele Kunst --- Grimonprez Johan --- 791.471 GRIMONPREZ --- Videokunstenaars, laserkunstenaars, computerkunstenaars, klank en beeld kunstenaars --- Kunst theorie, filosofie, esthetica --- De Vylder, Jan --- Vinck, Inge --- Taillieu, Jo --- Hofkens, Trice --- architecten de vylder vinck taillieu --- aDVVT --- S.M.A.K. --- Marcel Broodthaerskabinet --- SMAK --- 7.071 BROODTHAERS --- Grimonprez, Johan, --- Conceptual --- Art, Russian --- Art russe --- S.M.A.K --- Broodthaers Marcel --- 7.07 --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- 72.07 --- Beeldende kunst ; 20ste eeuw ; Marcel Broodthaers --- Museumcollecties ; België ; Gent ; S.M.A.K --- Architectuur ; Gent ; SMAK ; Broodthaerskabinet ; DVVT --- De Vylder Vinck Tallieu ; DVVT --- Conceptuele kunst ; 2de h. 20ste eeuw --- Dada --- Architecten. Stedenbouwkundigen A - Z --- 7.01 --- Videokunst ; film ; 1990-2010 ; Johan Grimonprez --- Belgische kunstenaars --- Boeken ; vormgeving ; boekdesign ; Inge Ketelers --- Tentoonstellingscatalogi ; Gent ; S.M.A.K. Stedelijk Museum voor Actuele Kunst --- film --- videokunst --- video-installaties --- kunst en politiek --- film en politiek --- Kunst ; theorie, filosofie, esthetica --- openbare ruimte --- Beeldhouwkunst ; 1950 - 2000 ; België --- Sculpture --- art [fine art] --- Art --- Artists --- Artistes --- Private collections --- Russia --- Contemporary art --- Catalogs --- Belgium --- Ghent (Belgium) --- Art collections --- History --- sculpture [visual works] --- public art --- public spaces --- Kerckhoven, Van, Anne-Mie --- Heck, Kati --- Meersch, Vanden, Els --- Vranken, Leon --- Catrysse, Wim --- Pacquée, Ria --- Wuyts, Hans --- Verhoeven, Gert --- Mich, Ludo --- Fink, Christoph --- Theys, Koen --- Gruyter, de, Jos --- Thys, Harald --- Tušek, Mitja --- Vleeschouwer, Kris --- Bijl, Guillaume --- Poésie --- communism --- political art --- postcommunisme (kunst) --- Menlibayeva, Almagul --- Kulik, Oleg --- Aghasyan, Vahram --- Achunov, Vjačeslav --- Alimpiev, Victor --- Atabekov, Said --- Badalov, Babi --- Djumaliev, Muratbek --- Hovsepian, Hamlet --- Kasmalieva, Gulnara --- Khalfin, Rustam --- Leiderman, Yuri --- Maslov, Sergey --- Meldibekov, Erbossyn --- Monastyrsky, Andrei --- Monroe, Vlad --- Prigov, Dimitri --- Ragimov, Kerim --- Ramishvili, Koka --- Sargsyan, Azat --- Thikonova, Julia --- Vorobyev, Victor --- Vorobyeva, Yelena --- Kabakov, Ilija Iosefovich --- Zhunin, Marian --- Zvezdotsjotov, Konstantin --- Osmolovski, Anatoli --- Bratkov, Sergei --- Mees, Guy --- Mamyschew-Monroe, Wladislaw --- België --- Museumcollecties ; België ; Gent ; S.M.A.K --- Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--België --- 069(493) --- Musea. Collecties ; België --- art [discipline]
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